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be one of very few companies on the planet that can not only meet these technical demands but exceed them. Expect, as usual, the highest levels of performance throughout Alvin Ailey American Dance Theater's three programs at the Auditorium.
Alvin Ailey American Dance Theater at the Auditorium Theatre Chicago
but wary animal.
If "Chroma" is an interesting place to visit, "Four Corners" is where I want to live. In contrast to the verticality, interiority and blasting light of "Chroma," Brown's choreography scuds close to the floor in an environment like a cloudy sky at twilight. The movement is deeply influenced by African dance, not only in its shapes but in its hypnotic rhythms: suspension, then release on the beat with a serpentine undulation.
Set to American music and a deep house mix by African artist Yacoub, "Four Corners" creates a Nike Uptempo Mint Green community whose motherly leader (on opening night, the astounding Linda Celeste Sims) rocks us into a state of bliss. Though Brown's title echoes the four corners of the biblical book of Revelation, the angels here honor the African ideal of the ancestors.
Chilly seduction sets the mood. A recurring move humanizes that, but only a bit: a dip forward from the waist and curve back up to vertical seems part of a mating ritual both exploratory and defensive, the dancer a curious Nike Training Pants
The "Chroma" environment is more James Turrell light installation than stage set. Three towering white walls create a room that includes a rectangular opening at the rear, admitting a stream of humanity. Dramatically varied lighting creates crisp silhouettes, figures in a murky Nike Winter Coat Mens
"Chroma" evokes the superhuman. The opening duet is a series of feats, like the woman's turning jump straight up, no preparation, into the man's arms. Later, Alicia Graf Mack elegantly supported by Vernard J. Gilmore extends impossibly long legs, ending in prehensile feet, in extreme splits. Joby Talbot's original compositions and orchestrations of Jack White tunes can sound triumphant, even bombastic.
twilight, or superheroes laid bare by light so white it hurts.
It's not as if the dancers aren't up to the challenges of British choreographer McGregor. In fact, Ailey must Nike Socks Elite 2018
Robert Battle understands the value of contrast in building insight. I can't imagine the Ailey company acquiring Wayne McGregor's futuristic "Chroma" before Battle became artistic director, which happened in 2011. Yet here it is, opening program A, its blinding white glory juxtaposed with Ronald K. Brown's juicy new "Four Corners."
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